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Interchangeable-lens Cameras

Interchangeable-lens Cameras

Interchangeable-lens Cameras
Alpha 1 with superb resolution and speed

ILCE-1

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ILCE-1
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Unprecedented movie performance

Shooting movies with the α1 Shooting movies with the α1

New movie potential

Next-generation 8K 30p recording

The new image sensor and BIONZ XR engine in the α1 deliver 8K(7680×4320) 30p movie recording capability for extraordinary realism. Four times the resolution of 4K  with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing. 8K 4:2:2 10bit recording is available as of α1 Ver. 1.3, allowing more varied expression and high-level editing capability at 8K resolution.

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4K movies at a high 120 fps frame rate0

The α1 supports high frame rate internal 4K movie recording at up to 120 fps, for smooth, expressive slow-motion0 playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I)1 compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
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Illustration of oversampling image

4K with full sensor readout, no pixel binning, and 5.8K oversampling

In the Super 35 mode approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning for beautifully imagery that is rich in detail.

(A) 2.3 times information

Traditional Japanese dancer

10-bit 4:2:2 chroma subsampling

10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
An AF frame on the dancer's left eye

Real-time Eye AF and Real-time Tracking for movies

The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
Landscape image with low-contrast and high-contrast halves

S-Log for compatibility with pro cine cameras

S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces supported.
Two images with longer and shorter arrows indicating different production times

10-bit 4:2:2 HLG (Hybrid Log-Gamma) support

High-dynamic-range HLG movies support the wide-gamut BT.2020 colour space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.

[1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required)

External USB cable attached to the α1

16-bit RAW output

The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
External mic attached to the α1

Digital audio interface for superior sound

A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.
Illustration of the internal structure

Heat-dissipating structure for extended recording

A newly developed heat dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30  minutes.

The cinematic S-Cinetone look

The α1 includes the same S-Cinetone colour matrix that produces beautiful colour and skin tones in the FX9, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights, responding to a growing need for more expressive depth.
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“Active Mode” image stabilisation0

A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilisation highly effective for handheld shooting. It uses the BIONZ XR engine’s real-time processing capability to apply optimum compensation in all formats, including 4K0. All of this is realised without compromising the compact size and mobility of the α system.
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Advantages of Sony’s lenses for video shooting

Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.
Close-up photo of the FX6 being used to film

FEATURES

Cycle racer turning a corner

Resolution and speed
Waves hitting rocks

Overwhelming image quality
A fox looking forward

Incomparable AF
Shooting movies with the α1

Unprecedented movie performance
A man is holding α1 in his hands and looking at the monitor

Control and reliability for any scene
Outdoor shooting with the α1

A new workflow solution
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Feature lists